Twice over the last week the performance space at Washington Revels was filled with dance and exciting music. Friday night, the music was Greek; last night, it was music from Bulgaria.
The salon concerts are a chance for tradition-bearers in this year’s Christmas Revels to share a bit more of their music than they’ll get to play on our stage in December.
Last night, Tzvety Weiner, who has been valiantly teaching us Bulgarian songs all fall, joined her husband Bryndyn Weiner and her parents, Tanya Dosseva and Lyuben Dossev, to perform several songs (in this configuration, they are “Dossevi”).
Tzvety gives off an aura of good humor, and now that I have seen her mother, I can report that it’s inherited. Seeing the two of them singing together was a delight. After one particularly silly song–you didn’t have to understand Bulgarian to know that this song was funny–Tzvety announced that we’d witnessed a real accomplishment: the two of them getting through it without cracking up. Lyuben Dossev is a celebrated player of the kaval, a wooden shepherd’s flute, and this was the first time he and Tzvety had performed together–a real treat for us.
After a reception, the second half of the evening was about dancing. The band Lyuti Chushki, which includes Tzvety, played boisterous Bulgarian tunes while concert-goers joined hands and danced. Numbers varied a lot–on simpler dances, dozens of people were up and moving through the steps with varying levels of competence; in one dance, about half a dozen more experienced dancers sprang around the room.
Last Friday, Spyros Koliavasilis and the Karpouzi Trio (Spyros with Len Newman and Margaret Loomis) gave a wonderful concert of Greek music, highlighting traditions from Asia Minor (most notably on the oud and kemane) as well as music from the Greek islands. Spyros plays and teaches 19 instruments and specializes in the authentic practice of traditional music spanning all of Greece.
We heard music played in many different modes. Much of the music was “microtonal”–music that contains intervals smaller than the conventional contemporary Western semitone (our 12-tone equal temperament). It was truly amazing! Margaret plays the santouri, a giant Greek dulcimer with a delightful sound, and her hammers were flying as she played this fascinating music. Len plays the laouto, a Greek version of the lute; that name comes from the Arabic word oud, meaning “wood.” The sound box of the Greek laouto is unusually large and creates a very resonant sound.
We’re all looking forward to hearing much more from these groups over the coming weeks.